課程資訊
課程名稱
 歷史音樂學實務：樂譜樂音
HISTORICAL MUSICOLOGY PRACTICUM ：THE SCORES AND THE SOUND OF MUSIC 
開課學期
 93-1 
授課對象
 文學院  音樂學研究所  
授課教師
 金立群 
課號
 Music5039 
課程識別碼
 144 U0650 
班次
  
學分
 3 
全/半年
 半年 
必/選修
 選修 
上課時間
 星期五2,3,4(9:10~12:10) 
上課地點
 音103 
備註
 限學士班三年級以上
總人數上限：10人 
Ceiba 課程網頁
 http://ceiba.ntu.edu.tw/931hm_pract 
課程簡介影片
 
核心能力關聯
 本課程尚未建立核心能力關連
課程大綱
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課程概述

"Historical Musicology Practicum: The Scores and the Sounds of Music"

The course is designed for students who have already acquired basic knowledge
in musicology, and who would like to improve their practical musicological
skills so as to be able to read, handle, and analysis historical notations and
recordings. 

課程目標
 This course will be practical orientated:
- how to read historical notation
- how to work with computer notation program
- how to do computer-assisted analysis of recordings
- how to interprete musical performances
- how to analyze and present statistic results
- how to handle and care for audio-visual material and equipment
At the end, you should be able to:
- produce clean and effective musical examples, both notated and recorded, for
your papers and presentations
- produce empirical analysis of musical performances instead of just
subjective description
- control the rhetoric and avoid undesirable bias in language and graphical
representation.  
課程要求
 Students of the class are expected to do all the assignments given after every
class. There will be practical projects for the mid-term and the final. As the
course materials will be uploaded to the course home page, it is expected that
all students have proper computing equipments and essential operating skills
to get the class work going. The class are also expected to keep close
attention to the announcements on the bulletinboard to be well informed of
what-to-dos and how-to-dos for the course.  
預期每週課後學習時數
  
Office Hours
 每週五 12:00~14:00 
指定閱讀
  
參考書目
 Borwick, John, and Association of Professional Recording Services. _Sound
Recording Practice_. 4th ed. Oxford: OUP, 1996.
_Computing in Musicology: A Directory of Research_. Cambridge, MA: MIT Press,
1989–.
Day, Timothy. _A Century of Recorded Music: Listening to Musical History_. New
Haven: Yale UP, 2000.
Clarke, Eric, and Nicholas Cook, ed. _Empirical Musicology: Aims, Methods,
Prospects_. Oxford: OUP, 2004.
Grier, James. _The Critical Editing of Music: Theory, Method, and Practice_.
Cambridge: CUP, 1996.
Haus, Goffredo. _Music Processing_. Madison, Wis.: A-R Editions, 1993.
Philip, Robert. _Early Recordings and Musical Style: Changing Tastes in
Instrumental Performance, 1900-1950_. Cambridge: CUP, 1992.
Roads, Curtis. _The Computer Music Tutorial_. Cambridge, MA: MIT Press, 1996.
Selfridge-Field, Eleanor. _Beyond Midi: The Handbook of Musical Codes_.
Cambridge, MA: MIT Press, 1997. 
評量方式
(僅供參考)
    
課程進度
週次
日期
單元主題
Week 1
 9/17  Intro: Ontology of Music—What/Where is Music?
Technology in Musicology—Friend or Foe? 
Week 2
 9/24  Notation Programs 
Week 3
 10/01  Neumes 
Week 4
 10/08  Modal & Mensural Notations 
Week 5
 10/15  Tablatures 
Week 6
 10/22  Computational Codes and Analysis I 
Week 7
 10/29  Computational Codes and Analysis II 
Week 8
 11/05  Analysis, Statistics, Presentation 
Week 9
 11/12  Midterm: Illustrations for Burnham 1999 & Privatissima] 
Week 10
 11/19  Recording History and Hardware 
Week 11
 11/26  Sound Concepts 
Week 12
 12/03  Performance Analysis I 
Week 13
 12/10  Performance Analysis II 
Week 14
 12/17  Performance Analysis III 
Week 15
 12/24  Presentation & Discussion I 
Week 16
 12/31  Presentation & Discussion II 
Week 17
 1/07  Final: Privatissima